The Lex Vespasiana
Title
The Lex Vespasiana
Subject
Cola’s Rome
Description
The Lex Vespasiana is a bronze tablet made in 69 AD to commemorate the emperor Vespasian’s acceptance of various imperial privileges from the Senate and people of Rome. Today, the Lex Vespasiana is installed in the Capitoline Museum. In the 14th century Life of Cola di Rienzo, written by an anonymous contemporary, it was hanging in the Lateran. Cola, who “alone knew how to read and interpret” its inscription, uses the tablet as a historical precedent for his argument, in a well-received speech, that the Senate, and people, i.e. the barons, of Rome, had too much power and that the emperor and pope ought to regain their former primacy in the city.
Vespasian did not inherit the Roman Empire, but came to power through bloodshed, and the Lex Vespasiana repeatedly tries to create a continuity between his rights as emperor and those of his Julio-Claudian predecessors, emphasizing with each item that the divine Augustus and Tiberius had also been granted the same privileges. Cola, as reported by the author of the Life, adapts the language of the tablet to better fit his time or match to his interpretation, but the point is clear: just as Vespasian gave his decrees more authority by recalling the laws of “legitimate” (or deified) emperors, so does Cola use the example of his city’s former glory days to legitimize his reforms.
Vespasian did not inherit the Roman Empire, but came to power through bloodshed, and the Lex Vespasiana repeatedly tries to create a continuity between his rights as emperor and those of his Julio-Claudian predecessors, emphasizing with each item that the divine Augustus and Tiberius had also been granted the same privileges. Cola, as reported by the author of the Life, adapts the language of the tablet to better fit his time or match to his interpretation, but the point is clear: just as Vespasian gave his decrees more authority by recalling the laws of “legitimate” (or deified) emperors, so does Cola use the example of his city’s former glory days to legitimize his reforms.
Abstract
The Lex Vespasiana is a bronze tablet made in 69 AD to commemorate the emperor Vespasian’s acceptance of various imperial privileges from the Senate and people of Rome. Today, the Lex Vespasiana is installed in the Capitoline Museum. In the 14th century Life of Cola di Rienzo, written by an anonymous contemporary, it was hanging in the Lateran.
Creator
Emma Burd (2015)
Source
Wright, John, trans. The Life of Cola di Rienzo. Toronto: Pontifical Institute of Medieval Studies, 1975.
Brunt, P. A. “Lex de Imperio Vespasiani.” The Journal of Roman Studies 67 (1977): 95-116.
Identifier
lexvespasiana_2015
Coverage
Spatial Coverage
Piazza del Campidoglio, 1, 00186 Roma RM
Description
The Lex Vespasiana is a bronze tablet made in 69 AD to commemorate the emperor Vespasian’s acceptance of various imperial privileges from the Senate and people of Rome. Today, the Lex Vespasiana is installed in the Capitoline Museum. In the 14th century Life of Cola di Rienzo, written by an anonymous contemporary, it was hanging in the Lateran. Cola, who “alone knew how to read and interpret” its inscription, uses the tablet as a historical precedent for his argument, in a well-received speech, that the Senate, and people, i.e. the barons, of Rome, had too much power and that the emperor and pope ought to regain their former primacy in the city.Vespasian did not inherit the Roman Empire, but came to power through bloodshed, and the Lex Vespasiana repeatedly tries to create a continuity between his rights as emperor and those of his Julio-Claudian predecessors, emphasizing with each item that the divine Augustus and Tiberius had also been granted the same privileges. Cola, as reported by the author of the Life, adapts the language of the tablet to better fit his time or match to his interpretation, but the point is clear: just as Vespasian gave his decrees more authority by recalling the laws of “legitimate” (or deified) emperors, so does Cola use the example of his city’s former glory days to legitimize his reforms.
Creator
Emma Burd (2015)Coverage
1300sSource
Wright, John, trans. The Life of Cola di Rienzo. Toronto: Pontifical Institute of Medieval Studies, 1975.
Brunt, P. A. “Lex de Imperio Vespasiani.” The Journal of Roman Studies 67 (1977): 95-116.