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            <name>Title</name>
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                <text>The Margani House and Tower</text>
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                <text>Situated near the heart of the ancient city and within the densely packed abitato, the Margani complex provides useful insights into the types of residences Roman nobles owned and controlled during the medieval period. The edifice was constructed prior to 1305 and, in that year, was occupied by the prosperous Margani family. Throughout the next two centuries, the Margani built up the complex, much of which we can still visit today.&#13;
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The Margani complex was composed of a three and four story mansion packed with residential spaces and a walled courtyard likely filled with a luscious garden. Beyond its imposing size, architectural decorations testified to this family’s status as nobility. A portico propped up by slender columns and Ionic capitals—examples of valuable Roman spolia—embellished the façade. A partial Roman cornice (band of decorative molding that projects off of a façade to frame an architectural feature) also ornamented the complex’s main entrance.&#13;
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Of all the Margani mansion’s extant features, however, the brick tower is perhaps the most important. In the medieval period, the Margani tower would have been one among countless family towers looming over the Roman cityscape. Between the eleventh and fifteenth centuries, towers sprang up across the abitato and disabitato as a result of a rise in city-based living and noble settlement within the Aurelian walls. In addition to profoundly altering the city’s skyline, towers played prominently into local power dynamics by demarcating zones of influence and serving as fortified spaces during armed conflicts. Though the Margani tower no longer stands at its original height, it still serves as a fruitful reminder of this remarkable urban process. As you walk throughout the modern city keep an eye out for remnants of the great family towers that dominated the Roman landscape during the medieval period, as well as the large decorated mansions and complexes that encompassed them.</text>
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                <text>Nate Grein (2017), edited by Sam Jackson (2027)</text>
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                <text>Krautheimer, Richard. Rome: Profile of a City, 312-1308. Hong Kong: Princeton University Press, 1980.</text>
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                <text>marganitower_2015</text>
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                <text>Via Margana, 4, 00186 Roma RM</text>
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                <text>Situated near the heart of the ancient city and within the densely packed abitato, the Margani complex provides useful insights into the types of residences Roman nobles owned and controlled during the medieval period. The edifice was constructed prior to 1305 and, in that year, was occupied by the prosperous Margani family. Throughout the next two centuries, the Margani built up the complex, much of which we can still visit today.</text>
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                <text>1300s</text>
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        <name>Towers</name>
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      <name>Place</name>
      <description>A location with a street address or larger region.  Examples include building, statue, piazza, fountain, port, neighborhood, paintings, sculptures, frescoes, floors.</description>
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                <text>The Tallest Campanile in Rome: Santa Maria Maggiore</text>
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                <text>One of the most dramatic architectural components of the church of Santa Maria Maggiore is its bell tower, rising up 75 m high – the tallest campanile in Rome. The tower appears very similar to the typical twelfth and thirteenth century Romanesque style typical of Rome, with its square base, brick construction, bifore and trifore windows openings (window openings divided into two or three pieces by columns), and discreet levels clearly delineated by cornices. If one looks more closely at this campanile, however, one finds many characteristics that distinguish it from its earlier models. The tower’s exterior is decorated with numerous bacini, or ceramic bowls which often originated from the Middle East. The levels are delineated by stringcourses of marble moldings rather than a simple course of brick tiles.&lt;br /&gt;&lt;br /&gt;As Ann Priester points out, the arched openings from the lower three stories with double bifore window openings are very differently constructed here than in most Roman bell towers as they are described by Ann Priester. The lowest bifore level has Gothic arches, and in the next two stories the colonnettes (thin columns) are doubled, a practice with origins outside of Rome and dating from the mid-thirteenth century, after most Roman bell towers were built. Most of the tower was completed in the 1370s, a century after the original campanile craze had died down. In fact, the tower was one of the few major ecclesiastical building projects in Rome during the Avignon papacy. Between 1445 and 1483 Cardinal Guillaume D’Estouteville completed the top story and add the pyramidal spire to the top of the roof, completing one of the rare examples of Romanesque-style campanile construction after the thirteenth century.</text>
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                <text>Joseph Lowry (2017)</text>
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                <text>1300s</text>
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                <text>P.za di Santa Maria Maggiore, 00100 Roma RM</text>
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                <text>Gill, Meredith J. "'Where the Danger Was Greatest': A Gallic Legacy in Santa Maria Maggiore, Rome." Z&lt;em&gt;eitschrift für Kunstgeschichte&lt;/em&gt; 59 (1996): 498-522.&lt;br /&gt;&lt;br /&gt;Priester, Ann. “Bell Towers and Building Workshops in Medieval Rome.” &lt;em&gt;Journal of the Society of Architectural Historians&lt;/em&gt; 52 (1993): 199-220.</text>
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        <name>tower</name>
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